Laura Wolk-Lewanowicz & Leah Kardos (photo by Jez Brown, Feb 2013)
One can’t fail to be impressed by Kardos, her debut album was a delight and Machines is not content with delivering more of the same, but strives to push new angles and ideas, blended with verve, imagination and, most importantly, a sense of unconstrained freedom to experiment. Naturally, this brings mixed results, but ultimately everybody can take something precious from the jewel box.
- Barcode Zine
Machines has a wholeness that is quite remarkable. But equally impressive is the manner in which Kardos conceals her virtuosity. Nothing draws attention to itself; everything is deployed in pursuit of an organic integrity. I had listened to the album several times before my attention was conscious of astonishing passages such as the intertwining keyboard lines that close “The Closeness of Distance” or the poly-temporal percussive underscoring of “Highly Active Girls.” The entire album is beautifully paced, with each individual track fitting into a larger whole. The phrase “song-cycle” is entirely apt.
- David D. McIntyre for I Care If You Listen