You know I loves me some Philip Glass, but...

... the dude completely and exclusively owns the oscillating third, as well as the 3-against4/ 4-against-6 accompaniment pattern.

It’s real basic composition tool-kit stuff..., but every time you use it people are inclined to go “oooh, you’re referencing Glass here”, or worse accuse you of plagiarism and then refer you to Glassworks or The Hours or his Metamorphosis suite for piano as proof. Rah!
Minor rant over. I forgive you, Phil. But only cos you’re so awesome.

The trip to Ireland with my mother was quite nice, if not a slight let down after the sheer beauty-blowout of the Swiss Alps experience. Maybe it was the constant rain than put a damper (or should I say dampness) on things. They call it “liquid sunshine” over there. Poor sods, I thought we had it bad in England. In summary: the Guiness was tasty, the grass was green, the wind was windy, the music was “diddly”. Some photos included on the ‘read more’ link below.

So now Mum has returned home to Australia and life for us goes back to normal. Alas her leaving means the end of our holidays for the summer. It was great to see her again, aside from jetting about Europe we enjoyed some fine meals, a great gig at the Jazz Cafe in London... and most impressively, she managed to watch all three seasons of Deadwood in almost as many days! I think she deserves some kind of trophy for that, a small statuette in the shape of Al Swearengen.

Now I’m back in the studio, cleaning the dust off the mixing desk, preparing it and myself for a new batch of projects. To begin the process in a calm way, I’ve been scrapbooking some of the ideas that have been clogging up my brainflow these past 2 months: colours, shapes, textures, words. It’s all very stimulating, and some of the finished collages ended up crazy surreal. I’ll post some examples once I get to writing and demo’ing these things out.








mmm... “tators”. Potatoes for every meal. I was blocked up for almost a week afterwards.