Firstly, here's a demo of "Katerina" [edit: these demos are long gone], which one of the tracks from the Feather Hammer album. All the sounds are generated from the one instrument, be it played, picked, strummed, thumped, tapped or sampled - which is one of the themes of Feather Hammer, a celebration of all those *other* sounds that live around the notes. I have 13 such pieces in various stages of formation at the moment and the album is set for release on 19th of Sept. I'm excited! There will be gigs to promote it. Actual gigs! Featuring myself! ... and other special guests, if I can get some funds together. I truly can't wait :)

In other news I have my next PhD milestone due around the end of August. Cue overly dramatic flailing about, anguish, gnashing of teeth, etc. This time it is the first few chapters of my exogesis, which mostly means lots of writing about myself. Can't be too hard, right? I'll keep telling myself that and hopefully one day I'll wake up one morning and have a PhD.

Something I'm a little more excited to mention is the "art/music" collaborative project I have started with my friend (and amazing visual artist) Kristian Purcell. For a while I have been preoccupied with exploring the connections between sound and vision, in particular looking at my own language and how I perceive things, the way ideas and inspiration cross over between the two senses. Everyone's perception is different, so I'm not about establishing knowledge for anyone but myself here. That said, there are certainly ideas and vocabulary that cross over easily - line, form, structure, repetition, chance, colour, shape, dissonance, juxtaposition etc etc etc. I've been keeping an art blog for a few months now (http://thisticklesleah.tumblr.com) where I have been posting/reblogging anything that has tickled my fancy and made me think of music, and tagging each posting up with the terms and musical ideas that speak to me in that moment. This process has been surprisingly useful to my creative practice and it led me to ask Kristian if he wanted to participate in a little creative back and forth, responding to each other's art with quick, intuitive working.

We're only a few weeks in, and already the material being generated is really interesting. Maybe when it's done we'll publish it online, and I am hoping that when it is viewed as a larger body of work the threads of inspiration that run throughout can be seen and heard. For now I'm just enjoying the freedom to explore musical thoughts without being tied to a brief/job/commission/context or any "this should be serious you're a PhD student" bullshit ideals.