Reviews and Mentions
- Acid Ted
"This is ambient coming at it not from the dub and dance sources of The Orb but the more austere, aescetic end of classical chinstrokers John Cage and John Tavener. There’s also something about the scale of this music. Like some of Tavener’s Orthodox chant pieces and especially The Protecting Veil they either need to be heard very small and personal or at an enormous and public scale like the Albert Hall. But there’s less the sense of being small in the face of a Deity, rather small in a pained and personal suffering way."
"This blissful yet daunting at times piece of art will take you on a journey"
"Feather Hammer is truly DIY at its finest - full of warm tones and beautiful piano. It's one of those EPs that makes you want to put your headphones on and stand in the middle of a four way intersection at 3 am, watching the brief solitude of a once busy street, observing the traffic lights change for nobody but you."
- Chip Michael, Interchanging Idioms
"Classical music is so much more than dead white composers. Leah Kardos is living proof of what it not only can be, it moves toward what it may be in the years ahead... The music is a mixture of styles and influences from Debussy to Tavener, Shostakovich to Bryars with pop elements from Bowie, Brian Eno and The Flaming Lips. From this rich tapestry we are given a sonic-scape that transports us into a distant world of colors, shapes and sounds like nothing I've heard before. At times the music is opaque and difficult to see clearly all that's happening, while at other times there is a clear lyric glide to the musical lines that float over the listener with utter beauty."
So it is out there, and it seems that people are enjoying listening to it. As a composer, I cannot imagine a better feeling. A big thank you has to go out to the people who tweeted, responded on facebook or emailed me their beautiful comments and reactions - my heart is full. Now I'm getting prepared to present the version of it at the premiere event on Nov 25th (tickets here!). Expect some divergences, I want to make room for lots of improv. There'll be none of this 'press play' business you see so often with the performance of electronic works! Slackers.
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