As per tradition, The Wire editor Derek Walmsley sent an email to all of the magazine's contributors asking for our 'best of the year' lists, and our personal reflections on how 2022 went. I was quick to respond with my lists:

top ten Releases of the Year
1 Alice Cohen Moonrising (Styles Upon Styles)
2 Björk Fossora (One Little Independent)
3 Brian Eno FOREVERANDEVERNOMORE
4 Helms Alee Keep This Be The Way (Sargent House)
5 Éliane Radigue/Frédéric Blondy Occam XXV (Organ Reframed)
6 Kai Whiston Quiet As Kept, FOG (Lux)
7 Weyes Blood And In The Darkness, Hearts Aglow (SUB POP)
8 Nadja Labyrinthine (Broken Spine/Cruel Nature)
9 Coby Sey Conduit (AD93)
10 Die Wilde Jagd Atem (Bureau B)

top ten Archive Releases of the Year
1 Cheri Knight American Rituals (Freedom to Spend)
2 Iannis Xenakis Electroacoustic Works (Karlrecords)
3 Funkadelic Maggot Brain (Westbound)
4 John Tilbury Keyboard Studies (Another Timbre)
5 Denis Dufour Complete Acoustic Works Vol 1 (Kairos)
6 David Bowie Brilliant Adventure (1992–2001) (Parlophone)
7 Sun Ra Arkestra Nothing Is… Completed & Revisited (Ezzthetics)
8 William S Burroughs Ali’s Smile (Paradigm Discs)
9 Scritti Politti Anomie & Bonhomie (Rough Trade)
10 Paul McCartney McCartney I II III (Capitol)

But the deadline for the personal reflection came and went, I just didn't relish the thought of tracing back over what has been a strange, at times extremely shit but occasionally great, year. Then Derek emailed to ask again, and so I responded in the moment from the heart.


Finally, it was so surprising and so so pleasing to see Blackstar Theory listed third in the top ten books of the year. Feeling validated as a writer is a rare sensation, so I'm celebrating this one!
What a time it's been. Everyone I know has been going through something tough this year. Roll on 2023!